DUFT

Florence de Jersey unpicks her favourite sci-fi films.

Tilly Owen explores why Coraline is, indeed, a 'kids movie'.

Daisy Hargreaves celebrates the foot-stomping, finger-snapping, and shouty-shouty scream songs that Glee offers her.

Natasha Ketel explores the theatricality and fantasy in 'The Father'

Tom Cain tackles the genius of the Princess Diaries franchise.

Amy Ware celebrates the authenticity of Greta Gerwig's presentation of teenage idealism.

Amy Haddow tackles what counts as trash TV.

Exploring the social commentary embedded into our favourite films, Florence de Jersey challenges the idea that our watching is just escapism

Ben Willows explores how incessantly cheerful & saccharine-sweet films aren't always needed in difficult times.

Tom Cain explores why he continues to watch Casablanca over and over again.

Emily Oliver dissects why Richard Curtis films are not British culture.

Seána Johansson-Keys explores why BBC's Normal People was overrated, drawing attention to the couple's clichés.

Grace Jessop illuminates why the female influence on When Harry Met Sally ensures the film is the world's favourite rom-com.

Eleanor Storey explores why heartbreak on screen can be so satisfying.

Daisy Hargreaves explores why the film industry continues to obsess over beloved period dramas.

Hannah Williams argues that the open & honest depiction of love in Curtis' films outweights the upper class magic realism.

Evie Nicholson explores female sexuality in Bette Gordon's underrated film, 'Variety'.

Asa Williams explores imagination and the importance of the viewer's engagement in Pan's Labyrinth.

Joe Lorenzo explores Brazilian politics & history in 'The Edge of Democracy'

Natasha Ketel discusses the delicacy and tragedy of 1994's 'Il Postino'.